Sound Design–Videos

Posted on October 8, 2010. Filed under: Audio, Communications, Digital Communication, Movies, Music, Radio, Recordings, Sound Effects, Speech | Tags: , , , , , , , , , , , , , , , , , , , |

WALL-E Special Features Animation Sound Design: Building Worlds From The Sound Up (Part 1)

WALL-E Special Features Animation Sound Design: Building Worlds From The Sound Up (Part 2)

Sound Design for King Kong (Post/production) 1 of 7

Sound Design for King Kong (Post/production) 2 of 7

Sound Design for King Kong (Post/production) 3 of 7

Sound Design for King Kong (Post/production) 4 of 7

Sound Design for King Kong (Post/production) 5 of 7

Sound Design for King Kong (Post/production) 6 of 7

Sound Design for King Kong (Post/production) 7 of 7

A Tour of LA’s Village Recording Studio

Deep Recording Studios – The Tour

Deep Studios Industry Training – Sound Engineering

Main Points To Remember

1. Sound design is the process of creating the overall sonic character of a production and is ongoing throughout the production process.

2. The sound designer is responsible for creative control of the audio–to put a coherent sonic stamp on a production–although all members of the audio team make creative contributions to the sound.

3. There are three domains to work with in creating a sound design: speech, sound effects, and music. Paradoxically, silence and the ability of sound to evoke a picture in the mind’s eye may be considered two other domains.

4. All sound is made up of the same basic components: pitch, loudness, timbre, tempo, rhythm, attack, duration, and decay.

5. Sound also has a visual component in that it can create pictures in the “theater of the mind.”

6. Sound has several functions in relation to picture; Sound can parallel picture, sound can define picture, picture can define sound and picture can define effect, and sound can counterpoint picture.

7. There  is no set procedure for designing sound. At the outset the most important thing to do is study the script and analyze the auditory requirements line by line to determine the overall sonic approach to various scenes or for an entire work, or both.

8. Determining a sound design involves consideration of how the audience is to think or feel about a particular story, scene, character, or action; from what point of view; and whether that is to be carried out mainly in the sound effects or music or both.

9. Determining a sound design also requires the awareness that doing so is often tantamount to defining a production’s conceptual and emotional intent.

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